In Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency, Jay David Bolter and Diane Gromala argue that, contrary to Donald Norman's famous dictum, we do not always want our computers to be invisible "information appliances." They say that a computer does not feel like a toaster or a vacuum cleaner; it feels like a medium that is now taking its plac...(展开全部)

This intelligently argued, critical overview is invaluable for the way in which it reveals and makes coherent sense of the often bewildering diversity of styles, forms, media, techniques and agendas that proliferate in contemporary art. Now revised and expanded, Michael Archer's acclaimed book is brought right up to date with discussions about the comprehensive globalization of...(展开全部)

戴维•E.凯卫格，班克罗夫特奖获得者、历史学家，北伊利诺伊大学历史系知名教授，出版及编辑了十本著作，其中包括《明确真实的行为：修订美国宪法(1776-1995)》（Explicit and Authentic Acts: Amending the U.S. Constitution, 1776-1995），该书荣获1997年度班克罗夫特奖。

In Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency, Jay David Bolter and Diane Gromala argue that, contrary to Donald Norman's famous dictum, we do not always want our computers to be invisible "information appliances." They say that a computer does not feel like a toaster or a vacuum cleaner; it feels like a medium that is now taking its plac...(展开全部)

Publisher's Description After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photog...(展开全部)

Publisher's Description After World War II, the American road trip began appearing prominently in literature, music, movies and photography. As Stephen Shore has written, “Our country is made for long trips. Since the 1940s, the dream of the road trip, and the sense of possibility and freedom that it represents, has taken its own important place within our culture.” Many photog...(展开全部)

Weegee's legendary camera recorded an unmatched pictorial chronicle of a legendary time. Weegee's New York is the New York of the thirties and forties, a city marked by the Great Depression, by unemployment and poverty, by mob violence and prostitution. He was the first news photographer allowed a police radio in his car. Racing through Manhattans streets after midnight, he oft...(展开全部)

Weegee's legendary camera recorded an unmatched pictorial chronicle of a legendary time. Weegee's New York is the New York of the thirties and forties, a city marked by the Great Depression, by unemployment and poverty, by mob violence and prostitution. He was the first news photographer allowed a police radio in his car. Racing through Manhattans streets after midnight, he oft...(展开全部)

1949年生于华盛顿，哥伦比亚大学美国史教授，著作有Voices of Protest、The End of Reform、John F. Kennedy: The American Presidents Series: The 35th President, 1961-1963等